Original Sigilcraft

When asked by patrons, I’ve been describing sigils as ‘symbols with intent’. Though certainly more complex than that, it’s a reasonable explanation in a nutshell, to those unfamiliar with their history and pervasiveness in visual culture. A logo is a sigil, a state seal is a sigil, a cattle brand, graffiti tag or maker’s mark can be a sigil. It is a crafted icon in which power has been invested toward a given outcome. For our purposes, it is a seal impressed upon an object (a personal talisman or house warding tile) to be used as a protective, energetic shield or to manifest a desire into being. Although they can be a battery for spiritual energy, the use of a sigil does not require religious belief, it can be viewed as a psychological science.

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Alter Pieces

Grasping at a universal lattice of some kind, these studies in pencil and paint on panel are a way to examine the boxes we create or involuntarily find ourselves within. Each cell is populated with it’s own color, influencing the energy of that space. Only when we step outside of those boxes can we see greater patchwork patterns emerge. An aerial photograph of any human settlement will reveal a pattern of change imposed upon the landscape. The same kinds of patterns are employed inside of our technologies, embedded in social structures and modes of thinking. We compartmentalize information, emotions, nature and reality inside of billions and billions of known quantities, but miss all of the space in between. I think there’s more to explore than just boxes, and I’m using these Alter-pieces as a way to map and escape the way we limit our experience.

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